Castration Movie Anthology ii. The Best of Both Worlds
<span id="docs-internal-guid-548f33f3-7fff-e310-eeb5-2db377335cf4"><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">is a multi-part postmodern epic by visionary auteur Louise Weard.The second part of </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">(running 300 minutes with an intermission) contains one chapter:</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></p><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">In </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Chapter iii. Polygon!!!! Heartmoder</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">, Circle (Lex Walton) tries to leave a trans separatist cult in New York. </span></span><div><font face="Arial, sans-serif"><span style="font-size: 14.6667px; white-space-collapse: preserve;"><br></span></font></div><div><font face="Arial, sans-serif"><span style="white-space-collapse: preserve; font-size: 14.6667px;"><b>For part i see <a href="https://www.plazaatlanta.com/movie/castration-movie-anthology-i">here</a>.</b><br></span></font><div><span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></span></div><div><span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">—</span></span></div><div><span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></span></div><div><span id="docs-internal-guid-a23fcd92-7fff-332f-54f9-9ed5b0507a5e"><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“As daring and revolutionary an indie film as any crafted this decade.” - William Bibbiani, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">The Wrap</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“</span><span style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(18, 18, 18); background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie</span><span style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(18, 18, 18); background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"> mixes Cassavetes-level rawness, a dazed Warholian languor and quotable banter worthy of Kevin Smith… With its scenes of unsimulated sex, water-sports, self-harm and the graphic aftermath of surgery, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(18, 18, 18); background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie</span><span style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(18, 18, 18); background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">’s list of trigger warnings is longer than some films’ scripts.” - Ryan Gilbey, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(18, 18, 18); background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">The Guardian</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"> holds the shimmering promise of what cinema can be now, when multiplex fare has entered its moribund final act and fascism is tightening its grip on dissent, free expression, and the rights of the vulnerable. Great films about real things made on the margins are evermore essential, and this is a great film.” - Chris Sheilds, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Screen Slate</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“It's so painful and good that I can only bear to watch it in like, fifteen minute increments while pacing around the room in psychic discomfort” - Torrey Peters (author, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Detransition, Baby</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">)</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“A landmark in trans cinema, from its blisteringly uncomfortable first act to its bottomlessly miserable last.” - Gretchen Felker-Martin (author, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Manhunt)</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“May very well upend our notions of how trans film imagery can look and feel… and taste.” - Willow Catelyn Maclay and Caden Gardner (authors, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Corpses, Fools, and Monsters: The History and Future of Transness on Film</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">)</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“Watching </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"> got me so hyped for the future of film.” - Morgan M. Page (writer, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Framing Agnes</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">)</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">“</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">is cinema, everything else is mere filmmaking!” - Theda Hammel (filmmaker, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Stress Positions</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">)</span></p></span></div></div>ComedyPT5HNot Rated2026-06-27Alexandria Walton
Ivy Wolk
Lea Rose Sebastianis
Louise Weard
Louise Weard
Hazel Norwood
Elizabeth Purchell
Remy Boydell
Castration Movie Anthology ii. The Best of Both Worlds"Castration Movie Anthology ii. The Best of Both Worlds"Showtimes
June 27, 1:00 pm
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