Castration Movie Anthology i
<span id="docs-internal-guid-a26bc441-7fff-ec41-af9a-15c106981a43"><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">"Why would you do this on purpose?" </span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">is a multi-part postmodern epic by visionary auteur Louise Weard.</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"> Anthology i. Traps </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">contains two chapters. In </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Chapter i. Incel Superman</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">, a production assistant named Turner Stewart (Noah Baker) sees his world spiral out of control as he uncompromisingly attempts to shape his life into the one he feels he deserves. In</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"> Chapter ii. Traps Swan Princess</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">, a trans sex worker named Michaela “Traps” Sinclair (Louise Weard) finds her relationships becoming increasingly strained as she decides to pursue motherhood.</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Written and directed by Louise Weard, </span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Castration Movie Anthology i. Traps</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"> features a cast headlined by Louise Weard (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Computer Hearts</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), Vera Drew (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">The People's Joker</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), Alice Maio Mackay (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">The Serpent’s Skin</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), Avalon Fast (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Camp</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), John Paizs (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">Crime Wave</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), Lea Rose Sebastianis (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">In a Violent Nature</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), and Nate Wilson (</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">The All Golden</span><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;">), amongst a mix of other emerging talent and weird and wonderful cameos.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-size: 14.6667px;">For part ii see <a href="https://www.plazaatlanta.com/movie/castration-movie-anthology-ii-the-best-of-both-worlds">here</a>.</b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><font face="Arial, sans-serif"><span style="font-size: 14.6667px; white-space-collapse: preserve;">—</span></font></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“As daring and revolutionary an indie film as any crafted this decade.” - William Bibbiani, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">The Wrap</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-weight:normal;" id="docs-internal-guid-a8fb7cb1-7fff-5dc4-82b0-aeaf26f28617"><br></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#121212;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Castration Movie</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#121212;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;"> mixes Cassavetes-level rawness, a dazed Warholian languor and quotable banter worthy of Kevin Smith… With its scenes of unsimulated sex, water-sports, self-harm and the graphic aftermath of surgery, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#121212;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Castration Movie</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#121212;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">’s list of trigger warnings is longer than some films’ scripts.” - Ryan Gilbey, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#121212;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">The Guardian</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-weight:normal;"><br></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Castration Movie</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;"> holds the shimmering promise of what cinema can be now, when multiplex fare has entered its moribund final act and fascism is tightening its grip on dissent, free expression, and the rights of the vulnerable. Great films about real things made on the margins are evermore essential, and this is a great film.” - Chris Sheilds, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Screen Slate</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-weight:normal;"><br></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“It's so painful and good that I can only bear to watch it in like, fifteen minute increments while pacing around the room in psychic discomfort” - Torrey Peters (author, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Detransition, Baby</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">)</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-weight:normal;"><br></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“A landmark in trans cinema, from its blisteringly uncomfortable first act to its bottomlessly miserable last.” - Gretchen Felker-Martin (author, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Manhunt)</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-weight:normal;"><br></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“May very well upend our notions of how trans film imagery can look and feel… and taste.” - Willow Catelyn Maclay and Caden Gardner (authors, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Corpses, Fools, and Monsters: The History and Future of Transness on Film</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">)</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><b style="font-weight:normal;"><br></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">“Watching </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Castration Movie</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;"> got me so hyped for the future of film.” - Morgan M. Page (writer, </span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">Framing Agnes</span><span style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">)</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br><span style="font-size: 11pt; background-color: transparent; font-variant: normal; vertical-align: baseline;">“</span><span style="font-size: 11pt; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline;">Castration Movie </span><span style="font-size: 11pt; background-color: transparent; font-variant: normal; vertical-align: baseline;">is cinema, everything else is mere filmmaking!” - Theda Hammel (filmmaker, </span><span style="font-size: 11pt; background-color: transparent; font-style: italic; font-variant: normal; vertical-align: baseline;">Stress Positions</span><span style="font-size: 11pt; background-color: transparent; font-variant: normal; vertical-align: baseline;">)</span></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></p><div><span style="font-size: 11pt; font-family: Arial, sans-serif; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;"><br></span></div></span>ComedyPT4H35MNot Rated2026-06-20Louise Weard
Aoife Josie Clements
Magda Baker
Louise Weard
Louise Weard
Mark Wilmot
Aoife Josie Clements
Dakota Blais
Castration Movie Anthology i"Castration Movie Anthology i"Showtimes
June 20, 2:00 pm
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